(Want to read an early draft of my query letter for Monsters in California? Read on, loyal Justinite)
Instead of working on
Jet-Girl (for more than three hours) today, I'm going to put some effort into getting my book published.
Yes, I have a finished book just sitting around, gathering figurative dust. Collecting royalty checks would probably be better than constantly telling people that they can only read my book when it's published, right?
So step 1 is to write up a query letter, basically a lure in the shape of a one-page summary that I can use to catch an agent. The query letter/lure has to be extra-shiny, which is something I wish I'd realized a while ago because writing this thing is a bitch.
Here's how you're going to help me:
After the jump is the query letter. Read it and then tell me: does it pop?
Keep in mind a query letter isn't a proper summary. It's a lure (and a very sharp hook, if done correctly). I'm not interested in accuracy. Just attention.
If you haven't read the book then your input is
greatly appreciated because I need those fresh eyes, but be warned that while I don't spoil too much I still give a good idea of what happens within the first five chapters.
Yeah, I know that doesn't sound like a big deal, but I'm a Story Nazi. I love the surprise and mystery of a novel. I love the
not knowing part of the experience. People who skip to the end of a book to decide whether or not they're going to read it should be put into camps.
If it were up to me the back of every book would just be a big question mark. Maybe a '
Just Read It, Dummy!'
And the fronts, too. Titles give too much away.
Query letter up ahead.